New painting underway of model Chelsea. Large, 30X40. Working off of the blue with cool tones in the flesh and shadows. I hope to have this one in the March show.
Nice looking one! Just out of curiosity, I was wondering why you choose to paint on unstretched canvas? I assume that later you stretch them for your shows for framing-is that difficult?
I've always painted on unstretched canvas for several reasons. Mainly, I don't like the "bounce" you get when painting on stretched...I prefer a solid feeling surface. Also, you can better crop the painting after it's done instead of painting to a set size and format. Shipping paintings and taking them in to be scanned is also easier when they are unstretched. I paint fairly thin so stretching them afterwards has never been a problem. For large works...larger than 40", I make my own stretcher bars.
Studiowasteland shows what is on artist Martin Pate's drawing board.
Email Mr. Pate with questions about purchases or commissions or view his work through the links shown below. Paypal accepted. E-mail address: pateart60@gmail.com
4 comments:
Nice looking one!
Just out of curiosity, I was wondering why you choose to paint on unstretched canvas?
I assume that later you stretch them for your shows for framing-is that difficult?
I've always painted on unstretched canvas for several reasons. Mainly, I don't like the "bounce" you get when painting on stretched...I prefer a solid feeling surface. Also, you can better crop the painting after it's done instead of painting to a set size and format. Shipping paintings and taking them in to be scanned is also easier when they are unstretched. I paint fairly thin so stretching them afterwards has never been a problem. For large works...larger than 40", I make my own stretcher bars.
Oh-OK, that makes sense.
Hey this is looking great! Love it
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